Dreaming of you when I’m alone
Baby, don’t trip, I’m coming home
Kick it with me
I don’t care if the Sun is gone
Baby, don’t cry when I’m gone
Promise you are everything I want
This is for you, baby
Listen, it’s your song
Oye, cariño, solo pienso en ti
When I wake up in the morning until I go back to sleep
How I wish you were mine, I think of you all the time
I always feel like I’m flying, baby, you make me feel fine
Lost in the words that you say to me
Y pasando tiempo juntos is the ultimate dream
I’m on top of the world, baby girl, can’t you see
I found my perfect girl, I want to make you my queen
Time and time again I can be feeling real sad
‘Cause mi sueño no se ha hecho una realidad
Pero el tiempo dirá, el tiempo dirá
If we go spend our lives together en lo que el mundo gira
I promise I don’t want nobody else to be around me but you
And nobody’s touch and nobody’s lips can make me feel like yours do
Our hands in a lock, nuestros labios se conocen
Nuestra noche es corta, pero hermosa, we’ll be okay
Dreaming of you when I’m alone
Baby, don’t trip, I’m coming home
Kick it with me
I don’t care if the Sun is gone
Baby, don’t cry when I’m gone
Promise you are everything I want
This is for you, baby
Listen, it’s your song
Sin ti, mis días son largos y se sienten tan amargos
Me ahogo en un lago de mis lágrimas, ¿qué hago?
Can’t look forward to my future if it ain’t including you
Promise that I’m gonna love you, it’s about that time you knew
I swear I don’t see nothing better than to lay here with you
And I hope you know I miss you, from my head I can’t dismiss you
Eres lo que yo anhelaba en esta vida, que me falta
Lo que siento is surreal, I can’t lie to you, for real
Sabes bien que te quiero
And if you down to spend your summer with me, just let me know
You know you are my sueño
You came to life and now I feel alright
Dreaming of you when I’m alone
Baby, don’t trip, I’m coming home
Kick it with me
I don’t care if the Sun is gone
Baby, don’t cry when I’m gone
Promise you are everything I want
This is for you, baby
Listen, it’s your song
Dreaming of you when I’m alone
Baby, don’t trip, I’m coming home
Kick it with me
I don’t care if the Sun is gone
Baby, don’t cry when I’m gone
Promise you are everything I want
This is for you, baby
Listen, it’s your song
3
lo que
(relativo)
what
lo que más me gusta es nadar
what I like most is swimming;
lo que digo es …
what I say is …;
repito lo que he dicho antes
I repeat what I said earlier;
¡sí hombre, lo que (yo) he dicho!
yes, just like I said!;
toma lo que quieras
take what o whatever you want;
todo lo que puedas
as much as o whatever you can;
empezó a tocar, lo que le fastidió
she began to play, which annoyed him;
to his annoyance, she began to play;
lo que es eso …
as for that …;
en lo que a mi concierne
as far as I’m concerned
en lo que a mi [concierne], que haga lo que quiera
cuesta más de lo que crees
it costs more than you think
lo que pasa es que …
the thing is …
lo que sea
whatever
about
ANTI-GOTH 446
By now, most fans of extreme metal are familiar with the “ultrametal” style that flourished in Colombia in the late 1980s and early 1990s. Medellín was the central node for this scene, which included such notable bands as Parabellum, Reencarcnacion, and Blasfemia, just to name a few. The city’s musical undercurrent of deviant punk and metal was cinematically memorialized in the 1990 film “Rodrigo D.: No Futuro,” which featured actual street kids instead of professional actors and was the first Colombian film to be entered at the Cannes Film Festival. Judging from the large number of active bands during that era, the city was apparently teeming with alienated and disaffected adolescents seeking cathartic release for their hostile emotions. Though Nemesis lacks the name recognition of the aforementioned ultrametal bands, the band’s sound is undeniably in keeping with its peers from that era. The same brittle and abrasive guitar tone that dominates much of the Medellín sound is present on these recordings, but Nemesis arguably have a slightly more sophisticated approach, more influenced by metal than punk. Like many of the Medellín bands (i.e. Astaroth, Herpes, Gloster Gladiator) Nemesis’ only vinyl recording was a self-released 7” entitled “Hombre: Oveja Negra Del Universo”, which came out in 1988. Two years later, Nemesis released their full-length demo, “Lo Que Siento Por Ti,” after which the band receded into the distant memory of the Medellín underground. Over the last decade or so, the resurgence of interest in that scene has led to the excavation of a handful of nearly forgotten classics, and, fortunately for fans of the genre, these Nemesis recordings are no longer lost to obscurity. Two years ago, the French label Epidemia Records reissued a vinyl edition of the 7” and a CD version of the demo, at last making these recordings widely available. This DLP edition, a joint project between NWN! and Epidemia, marks the first time both titles have been collected for a single reissue.
– J. Campbell
credits
released July 31, 2019
Tracks 1-9: «Lo que siento por ti» demo
Tracks 10-11: «Hombre: oveja negra del universo» EP
license
all rights reserved
